Weathered Wood and Coming Home

The little village was just beginning to come to life on what was a picture perfect Fourth of July. As I pulled into the parking lot of the little white church I noticed a few early birds had already claimed their spot on the parade route. At least they had nice weather in which to wait in, I thought.

I, myself, took a deep breath in as I got out of the car and allowed my eyes to linger up at the blue skies. I couldn’t remember a more beautiful holiday than this.

The clear skies and cool temps were ideal for the “big” parade—big meaning lots of firetrucks, a few pickup trucks and tractors transformed into floats thanks to the invention of crepe paper and balloons and one band and a group of bagpipers joining the teens which made up the high school band.

Still it was “big” in terms of the hearts who marched out of love for country, love for village, love for tradition, love for one another. My own heart filled with a love I thought I would never feel again.

A love for a home that I never expected to find, then lose, and then, by the grace of God, find again.

Many times, I had pulled into this parking lot when I was the little white church’s pastor and many times I would stop before heading inside to gaze at the weathered clapboards. And many times, I would look beyond the weathered wood and see what other eyes could not.

I would see a vision of hope.

I gazed again. And there it was. Hope shining back at me.

Just then my friend who was going to join me in watching the big parade pulled into the parking lot. I could hear the engine shutting down, the clicking of her seat belt, the slam of the car door and the beep of the car being locked. Soon she was standing by me, gazing too at the weathered wood.

“It needs a lot of work,” she said.

“Yep, it does,” I nodded.

“It’s a big structure,” she said.

“Yep, it is,” I nodded.

As we scanned the expanse of the slate roof, I described to her how the roof was being supported by the most incredible hand hewn beams that a building inspector once showed me many years ago while climbing high into the old rafters on a hot, humid summer day, making the old wood smell even more pronounced.

“Hmmm…” she said and that was all.


She sensed I didn’t want this sacred moment of gazing at weathered wood broken by the not so sacred discussion of painting and slate repair costs.

Instead she said, “You’re home, aren’t you?”


Weathered wood stands as a testimony not only to time, but to God’s grace and our faith in future.

I nodded a short “yep” not wanting the tears of gratitude to start falling.

“I’ve always had this vision….” and then I began sharing the hope I saw in the weathered wood.

Hope that withstood the storms of life and the harsh elements of setbacks and trials. Hope in which was asked to lay dormant many a winter waiting and waiting and waiting for spring’s rebirth to come again.

“I’ve always had this vision…” my parking lot sermonizing was over.

My friend kept staring at the church. I couldn’t tell if she now saw my weathered wood vision.

“It’s beautiful,” she said.

She saw.

As we walked up street (as my husband, the local boy, would say, always leaving out the “the” that I would put in when indicating I was going “up the street”), I silently prayed for more eyes to see the beauty—and the hope—in weathered wood.

For it’s there. Always. With faith, we can and will see God’s beauty.


Barn Raisers

My mother has a fascination for lighthouses and very old cemeteries. I, on the other hand, love the old barns of New England. There’s just something about faded red clapboards that draw me in. Perhaps its because these clapboards tell the story of not just how the harsh winters and scorching summers have worn away at their paint.

These barns, if one listens carefully, tell the important story of weathering life’s unruly elements. For inside the post and beams, often notched, pegged and dovetailed together with gripped by calloused hands, are many tales of when farm animals filled the stalls, hay reached high into the rafters and grain overflowed in bins; and when animals, hay and grain were scarce.

The cool, dank smell of earthen floors and the musty sting of aging wood, speak to me of a time when people really valued being part of a community and cared about the abundance and/or the scarcity within one’s barn—for by caring about one’s barn, you were caring about one’s livelihood, one’s happiness, one’s heart.

I think of the barn raisings still taking place in Amish communities today. Men come with their tools eager and willing to help a neighbor. Women spread out the tables with what seems to be a never-ending supply of home baked goods, relishes, jams, fried chicken, ham loaf and, of course, snickerdoodle cookies and shoo-fly pies. But those are the Amish. We are what they call the “English” and such gatherings don’t happen among us anymore which is a shame, for we are missing out on more than just ham loaf.

Yes, these barns are telling me story of how we ought to live in community with one another. They tell me that even though I am a horrible cook and many times my stab at shoo fly pie is a complete flop (I am not sure how I can still mess up such a simple concoction of molasses, brown sugar and a crumb topping), I should still find time to invite friend, family and foe to my table to sit and not just break bread together, but to sit and share our lives together.

For storms of all kinds do their best to weather the clapboards of our hearts. But if we stay connected to what’s really important—to one another—we will find ourselves standing tall like those barns, telling stories that will be our testimony to a God who leads us through all seasons.

Just this morning as I pondered storms, seasons, old barns, true friends and even foes (yet to become friends) in my life, I came across this quote in a magazine I was reading. The author wrote, “We don’t need barns full of stuff, we need people to hear our story in its rawest form and who still see us as a beautiful soul no matter how much ugly we’ve experienced or felt or even been. We need people to share our story and advocate for us, to vouch for us, to support us when standing alone isn’t possible.”

I have stood alone in life and wondered where and who my advocates were. I have known the grace of someone coming alongside of me to listen and understand me and, I have had the grace and compassion to be that support to someone standing alone as well.

I knew a woman who had on her property an old Scottish bank barn. The beams, the carpentry, the dug out basement for keeping potatoes and other garden goodies fresh even in the winters, all captivated me. But she was selling the place. She was moving. She needed a fresh start. She needed community. She had served her country and had suffered from post traumatic stress disorder, thus, making it hard for others to really understand her tough exterior and, often at times, argumentative nature. She longed for a chance, but few gave it to her.

I chose to stay by her side, trying to advocate for her when others wouldn’t. I stood with her even when it was hard to do so. I stood and took the hurtful words that would sometimes come my way. I stood and by doing so I was there to catch her pent up tears when she finally felt safe enough to let them fall. images-2

We have long since lost contact with one another, but at times I find myself driving by her home and her Scottish bank barn and wondering how she is doing. I pray that she has found people to continue sharing her story with and people who will not be so quick to write her off, but who stand with her long enough to see the beauty of the weathered clapboards that are barely holding her fragile heart together.

I love old the old barns of New England. I love them because they tell me a story of how we all have such clapboards barely holding our fragile hearts together. They remind me that there was a time when community was there, showing the love of Christ towards one another—a love that does amazing restoration work. (Maybe that is why I had my wedding reception in an old Vermont barn?)images-1.jpg

Barns give me hope that such love in community can still exist today.

We just have to relearn to be those barn raisers of yesteryear.

Peeling Paint

Should I or shouldn’t I? I mean, really, what’s the worst thing that could happen if I climbed this rickety ladder? Maybe I shouldn’t have asked that question because my mind suddenly started to answer with many a scary scenario.

I could fall. I could seriously hurt myself in the fall. I wouldn’t be able to call for help, as there was no cell signal in this part of Vermont in which our little red house sat sweetly in a valley surrounded by fields and views of the Green Mountains. I would be alone and hurt with no help coming anytime soon as my husband had not yet joined me for our visit to our little homestead. I would be left there on the grass risking the chance of a garter snake slithering upon me.

Eeek. Garter snakes. I don’t like them. My mom and dad recently reported that on one of their visits to our little red house they saw a “huge” one slithering underneath the apple tree. Of course, the snake grew larger as their story continued. Still, I wouldn’t want to risk meeting said snake no matter how small or large it was.

Maybe I would be okay if I climbed this ladder. There was, after all, my bumbling Bernese Mountain dog, Sofie. But as I looked over at her hugging the side of the fence as a sudden wind had picked up and frightened her, I realized she was no Lassie. I was on my own. And so I asked myself again, “Should I or shouldn’t I?”

What’s the worst thing that could happen if I decided to climb this rickety ladder I had just wrangled out of the damp, stone cellar, and set before me on the uneven ground below me, all because I couldn’t live one more minute with what my husband could live with forever?

I just couldn’t live with the strips of paint peeling from the beaten-up-by-too-many-harsh-winters clapboards that sided our home. Something had to be done.

I grabbed hold of the ladder with one hand and hesitantly put my foot onto the first rung. My heart started thumping harder. Up onto the next rung my foot went. Then the next and then the…wait, I had forgotten something. I had forgotten the can of paint and paintbrush. Back down I went and grabbed the necessary items needed for painting, wondering all the while how was I to hold on to dear life…and the ladder…and the paint can and the brush?

As one who loves to take on the challenge of a “can’t be done” project, I fought my fears and went back up the ladder, balancing each step I took with the can and brush in one hand while the other hand grabbed the next rung.

I finally came to the first patch of peeling paint and leaned over to scrape it off. As I leaned I made the mistake of looking down. Our little house didn’t look that tall but from where I was, “down” looked like a very long way to go. Sweat came dripping down my forehead as I whispered: “Hold it together.” “Breathe.” “Don’t think about it.” “I can do this.” I scraped quickly and then threw the paint over the bare spot. My sense of accomplishment was short lived for I realized while one piece of peeling paint was dealt with, there were many more taunting me further up the house.

It was then I had to ask myself the very question my husband asked while trying to persuade me to leave the ladder where he had put it—in the cellar.

Why does the peeling paint bother me so much?

Peeling paint exposes more than weathered clapboards; a lesson of the heart is revealed as well.

Peeling paint exposes more than weathered clapboards; a lesson of the heart is revealed as well.

The most obvious answer was simply because peeling paint was an eyesore and made the house look shabby. What would those passing by think? To which my husband would reply, “No one cares.”

But there was more going on than just what would the neighbors think. In some way the peeling paint was symbolic of everything I was taught you had to fix or cover up in life. Now my parents, who had more of my husband’s “no cares” attitude, didn’t teach me this.

This need to be perfect or have your act together or at least appear to have your act together was instilled in me during my days as an aspiring Manhattan magazine editor. It was there in the city in which Sinatra sang, “if you can make it there, you’ll make it anywhere,” I saw firsthand how life’s disappointments, hurts, flaws, and even painful scars, were all too easily—and expected to be—painted over with whatever paint you could find. Lonely? Paint over it by working longer and harder. Heartbroken? Paint over it by rushing into a new relationship quickly. Don’t give the brokenness anytime to heal. Dissatisfied with yourself? Paint on a new persona, workout more, buy new clothes, and get a makeover. Do whatever you can to cover up the peeling parts of your life because you don’t want the world to see the weather-beaten clapboards that are hidden underneath in your heart. For it is more than just an eyesore. It is a reminder of our own finitude and vulnerability. And no one wants to be reminded of that. So let there be no peeling paint in life—ever.

Yet here I was with peeling paint and a husband who just didn’t seem bothered by it at all.

His “no one cares” attitude was strengthened by his other observation. “Everyone around here lives with peeling paint,” he said. And they do.

I remember when I first came up north to “God’s Country” as the locals called it, I noticed many a house, many a barn—and even the picturesque white clapboard church I was to pastor—telling the story of how they had withstood yet another season of howling winds, pelting rain and falling snow. I was told with a shrug of the shoulders, “That’s just life around here. Paint will peel. Nothing much you can do about it except live with it.”

There wasn’t an urgent need to cover up what tough seasons had scarred, be it the tough seasons of Mother Nature herself or the tough seasons that barrel down on us in our life—illness, fractured relationships, financial worries, death.

If anything, the peeling paint on display all around me in so many ways provided the space to face finitude and vulnerability without dread or fear or the feeling of failure or hopelessness. The peeling paint was in fact a shared communal experience no one judged, but rather, was understood by all. It was simply a part of life not to be covered up. It was a part of life to accept, embrace and learn to live with. And the learning to live with? Well, that’s when an eyesore miraculously becomes something beautiful and amidst the newly discovered beauty before you is where healing begins.

As I stared at the marred side of my Vermont homestead, I saw the beauty before me and in that beauty I realized something. It was here in a place where paint peels freely, the weathered clapboards of my own heart were accepted and welcomed and loved by a community which knew the truth so many of us try to deny. In life, paint will indeed peel. There really is no need to rush and cover it up.